Fabbian / Pendant / Eyes F34

By Fabbian
Designer Matali Crasset
Brand origin country Italy
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Fabbian / Pendant / Eyes F34
Fabbian / Pendant / Eyes F34
By Fabbian
Designer Matali Crasset
Made in Italy
Price:
Finish:
Supply Voltage:
Material:
Metal / Glass
Dimensions (HxWxD): cm.: 33.5 x 35 x 35 / inch.: 13.2" x 13.8" x 13.8"
SKU: F34 A01 01

Contact information
Discontinued product
Please take a look at the other products from this manufacturer.
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Product details

The Eyes pendant lamp has a particular diffuser in white and transparent blown glass with special details available in white and copper. Its classic shape allows it to be installed in the living room or the kitchen of the home or in contract projects of restaurants and hotels. The refined design of the ball makes the lamp suitable for decorating shops and bars.

Min/Max chain lenght:  cm.: 15 - 200 / inch.: 5.9" - 78.7" 
Finish:  White or Transparent
Bulb Qty / Type / Watts:           1 / E27 / 24 W (LED) 
 or
 1 / E27 / 8 W (LED) 
IP Rating:  IP20
Net weight:  3.91 kg. / 8.6 lbs 
Packaging (HxWxD):  cm.: 46 x 48 x 48 / inch.: 18.1" x 18.9" x 18.9"

Additional Information:

Pendant lamp with white satin or transparent blown glass diffuser. White painted metal structure.

Pendant doesn't include bulb.

Protected against entry of solid objects larger than 12 mm. No protection against the ingress of water.

More Information
IP protection: IP 20
Material: Metal / Glass
Dimensions (HxWxD): cm.: 33.5 x 35 x 35 / inch.: 13.2" x 13.8" x 13.8"

About Designer

Matali Crasset is a French industrial designer. In the Nineties, she worked as an apprentice for two outstanding masters of design: Philippe Starck in France and Denis Santachiara in Italy.
In 1998, in the Paris quarter of Belleville, she set up her company: Matali Crasset Productions.
Matali Crasset creates her designs by observing the world with constantly new eyes, calling into question pre-established codes in order to surpass them.
Her continuing research prompts her to cooperate in many different directions – with private individuals seeking a new home context, large industrial concerns wishing to innovate, hotels in search of a new concept (including the multimedia Hi Matic of Paris and the spectacular Dar Hi in Tunisia), and museums wanting a face lift (SM’s at s’Hertogenbosch in the Netherlands).
Her proposals are not restricted to improving what already exists. They formulate new logics that rotate around modularity and interlinking concepts.

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