As in the art of Salvador Dalì, the surreal comes reality, changing the very nature of the most familiar object. In these lamps, glass becomes “soft” like artist’s famous clocks, and overlaps in various layers giving the lamp the ethereal lightness of a veil. Dalí by Nava + Arosio Studio
Pendant lamp with thermoformed glass and metal structure with iron grey finish. Available in different colours: amethyst, blue, grey and green.
Modern Catalogue Incanto
Designer: Nava + Arosio
Dimensions (HxWxD)
cm.: max 140 (H1+H2) x 120 x 4 / inch.: max 55" (H1+H2) x 47" x 2"
Height 1: pendant body 40 cm / 16"
Height 2: cable adj 10-100 cm / 4-39"
Weight 10 kg / 22,04 Ib
LIGHT SOURCES AVAILABLE
Temperature: 3000 K
Lumen: 2700
Led: 30w
CRI: >80
ELECTRIC INFO
Dimmable: Yes
Dimmer: Not included (Price upon request)
Bulb: Not included (Price upon request)
Energy class: A++
TYPE
Mounting: Pendant
Environment: Indoor
Dalì suspension by Italamp As in the art of Salvador Dalì, the surreal penetrates reality, changing the very nature of the most familiar objects. The two designers, NAVA+AROSIO , drew their inspiration from the Spanish artist, delineating the sinuous lines of these thermoformed glass lamps. Available in four colors; every time unique, never the same, always surprising.
More Information
Wymiary (wys. x szer. x gł.):
cm: 140x120x4 / inch: 55.12"x47.24"x1.57"
Kraj produkcji
Włochy
Styl
Nowoczesny + Współczesny
Finish:
Iron grey
Ochrona własności intelektualnej:
IP 20
About Designer
NAVA + AROSIO STUDIO
Luca Maria Arosio (1988) and Paolo Emanuele Nava (1989) are NAVA+AROSIO Studio. The duo of Italian Designers see their headquarters in Lissone (Milan-Italy) in a large house-studio-laboratory of the early 1900s. After graduating with honors from NABA in Milan in 2014 they founded NAVA+AROSIO Studio, in collaboration with Jonathan Nava, referent in Shanghai and Alexander Nava referent in Hamburg. They start working on several projects with prestigious companies obtaining important international awards. A great sensitivity accompanies the aesthetic and project lines of their work, a design that does not want to identify itself in precise formal canons but wants to be a journey, always different, in search of the maximum expression of all the compositional elements.
