Estiluz / Pendants & Suspension Lights / Flow T-3734 / T-3735 / T-3736
Collection: Flow
Designer: Estudi Ribaudí
Metallic suspension lamp in three sizes. Shade made with a metal tube smashed in the middle and an acrylic lens with integrated LED. Adjustable height and individual canopy, suitable for creating compositions.
Ideal for the living room, dining room, bedroom, bar and restaurant areas, reception desk, kitchen island, counter and retail shop.
This product is available in various configurations. When placing an order or sending an inquiry, please specify the desired option in the order comments or inquiry message.
Product details
Metallic suspension lamp in three sizes. Shade made with a metal tube smashed in the middle and an acrylic lens with integrated LED. Adjustable height and individual canopy, suitable for creating compositions.
Ideal for the living room, dining room, bedroom, bar and restaurant areas, reception desk, kitchen island, counter and retail shop.
| Country of Manufacture | Spain |
|---|---|
| Style | Modern + Contemporary |
Flow Suspension lights T-3734
LED 6,2W
(2700K / Ang. 70º / >90 CRI / 350mA)
100V - 240V / Typ* 725 lumens
Non dimmable / Compositions are dimmable when using dim. driver
Flow Suspension lights T-3735
LED 6,2W
(2700K / Ang. 70º / >90 CRI / 350mA)
100V - 240V / Typ* 725 lumens
Non dimmable / Compositions are dimmable when using dim. driver
Flow Suspension lights T-3736
LED 6,2W
(2700K / Ang. 70º / >90 CRI / 350mA)
100V - 240V / Typ* 725 lumens
Non dimmable / Compositions are dimmable when using dim. driver
About Designer
Estudi Ribaudí
This Catalan studio, led by Jordi Ribaudi, has a multi-disciplinary creative team. Ribaudi founded the studio in 2002, with the objective of creating pieces with their own identities. Lighting has been one of their strengths, and they have worked with the sector's most important firms. Their designs are surprising yet seductive, and are born of a mixture of ideas, concepts, materials and technology. Estudi Ribaudi suggests a new way of experiencing objects, true to the maxim present in all his projects: ""If it doesn’t look new from 100 metres away, it isn't new"".
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